Years ago, I
predicted that Ryan Gosling, a little-known actor starring in The
Notebook, would be one of the hottest, most respected actors
in Hollywood, and I was right. Now in 2012, he is considered A-list and
has delivered a phenomenal, top-notch performance in The Ides
of March, also starring George Clooney, Phillip Seymour
Hoffman, and Paul Giamatti. Among a pool of great talent, one might
think it would be easy to shine, especially with a compelling story and
tightly written script, but Gosling’s performance takes the film to a
higher level. His quirky facial expressions, crooked smile, less-than
perfect looks (although hands-down handsome), halting stare, and long,
purposeful pauses help enhance the tone of the movie—which is a dark,
edge-of-your-seat political thriller in the vein of All the
President’s Men.
I love political thrillers where
naïve, idealistic campaign executives become hardened by the reality of
bipartisan politics. Not because I believe all politicians are evil and
corrupt or that the system is such, but because of the temptations
political power and influence have over moral, well-intentioned people.
As the film portrays, it is intoxicating and addictive, taking even the
best of men and women down into the mire of scandal and disgrace.
This story starts with a
high-flying campaign manager, Stephen Meyers (Gosling), who believes
with all of his heart that the candidate he represents, Governor Mike
Morris (Clooney), a liberal Democrat, is the perfect man for the job as
president of the United States. When Morris’s primary poll numbers
begin to exceed his opponent, Senator Pullman, the political game is on
between campaign organizers to win the party nomination.
As behind-the-scene negotiations
take place to secure a crucial win in Ohio, Meyers witnesses the
governor take the high, moral road over dirty politics. And yet, Meyers
is conflicted, because he is fully aware that without the governor
playing the political process, Senator Pullman could pull ahead. After
a contentious debate between the two candidates, where the governor
makes an impressive showing, Pullman’s campaign chief, Tom Duffy
(Giamatti), showers Meyers with compliments, catering to his ego, and
even planting a seed that he should come work for the Senator. Paul
Zara (Hoffman), who is the governor’s senior campaign manager, scoffs
at Duffy, but Meyers is intrigued.
As one would expect, with any
film about the ruthlessness of politics (plus Ryan Gosling as the
lead), there will be romance, along with steamy passion. Enter gorgeous
Evan Rachel Wood, who plays Molly Stearns, a lowly intern whose daddy
is the head bigwig for the Democratic National Committee. She seduces
Meyers, and they engage in a short-lived affair, but eventually he
realizes she is greatly significant to the Morris campaign.
***SPOILER
ALERT***
When Senator Pullman’s camp
appears to have won the support of the Ohio senator, Duffy approaches
Meyers again and asks him
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to
switch sides. Meyers informs Zara, who
explodes with anger, rebuking Meyers for his lack of loyalty. When the
press gets hold of the rumor, Meyers realizes he is going down. Zara
fires him from the governor’s campaign, but Meyers promptly takes Duffy
up on his offer to work for Pullman. Here is where the idealistic,
naïve campaign worker discovers the truth about politics: Duffy never
planned to hire Meyers in the first place—he just made the offer,
knowing Meyers would tell Zara, who he knew would fire Meyers for
disloyalty. As Duffy explains, if a campaign strategist as good as
Meyers isn’t willing to work for Pullman’s team, then Duffy would make
sure he didn’t work for anyone. How’s that for a chess move?
But as luck would have it,
Meyers it sitting on a juicy piece of information that he
surreptitiously learned from Molly. It seems that the happily married,
morally impeccable Governor Morris isn’t all he presents himself to be.
Molly is pregnant from a one-night-stand with the governor and needs
money for an abortion. Since she can’t go to her staunchly Catholic
father for help, Meyers uses campaign funds to pay for the deed. Any of
this sound familiar?
Sadly, Meyers learns that
Governor Morris, the man who held so much promise and hope to be a
candidate beyond reproach—one who would eschew cruel politics and
underhanded maneuvers to get ahead—is actually a snake in the grass, a
wolf in sheep’s clothing. One would think Meyers’s dashed hopes would
make him spurn politics forever and flee to another, more noble
profession, especially after Molly commits suicide for fear of the
press uncovering the scandal. But he doesn’t. He resorts to his own
gangster-style chess move that gets Zara fired and him reinstated as
the senior campaign manager for the Morris ticket. And while the movie
ends there, one gets a strong suspicion that Meyers keeps his mouth
shut about the entire fiasco, and Morris goes on to win the presidency.
As a Christian, I might
initially want Meyers to spill his guts to the press and give them the
juiciest story they’ve printed since Monica Lewinsky, so that a man
like Morris never takes office. And yet would Senator Pullman have been
any better? As the movie shows, he and his campaign people were equally
lacking in character and integrity.
No, I am not such a cynic as the
theme of the movie portrays—that all moral people must compromise their
godly values to win elections. I do believe we will continue to have
wonderful, godly men and women in office who display success and
effectiveness without compromising their beliefs. But it will be only
by holding fast to their faith and firm convictions that come from
knowing Jesus Christ. As The Ides of March shows,
even the most scrupulous, well-meaning “good person” isn’t able to
survive a world of evil in his own strength.
I pray the Lord sends more of
His children into the political arena to show the world there is a
different, better way to run this nation. I pray some of those very
believers receive their call when they watch this extremely powerful
film.
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