In
2009 I was asked by my agent to consider writing a work of Amish
fiction. My concern was that I would write about the Amish as real
people with real-life struggles and real faith concerns. I did not want
to glamorize them or paint a fantasy in words that made them figures
out of a fairy tale. I never looked to see who was or wasn’t writing
Amish fiction at the time, so I never knew how many men were or weren’t
writing in that genre. I just focused on telling a story and telling it
as well as I could, Amish fiction or not.
I know about the Amish, of
course. A large population of Mennonites live in southern Manitoba,
where I grew up, and they share common roots with the Amish. They also
hold some of the same beliefs, including a pacifist approach to war and
peacefulness in their daily interactions. A number have connections to
the Amish communities in Ontario, just north of those in Pennsylvania,
Ohio, Indiana, and Michigan. I was a member of a Mennonite church for
several years. So early on I gained some understanding of the Amish and
Mennonite approaches to the Christian faith.
But writing Amish fiction didn’t
just mean writing about Amish beliefs and lifestyle. It meant writing
about Amish men and women falling in love. It also meant being
sensitive to the woman’s point of view in such romances. Fortunately, I
have a mother, sister, wife, and daughter, so I know something about
the woman’s world. And I had fallen in love myself and know about
wooing my beloved and carrying her away in my arms.
At this time, I was working on a
series of novels in Canada based on the lives of two of my aunts. Even
though a brother tells the story, the tale is mostly about the two
sisters. And when the story moved from Canada and America to Ukraine,
two more sisters enter the story as well. So when I tried my hand at
Amish fiction, I came fresh from writing hundreds of pages about four
sisters and a romantic relationship with the woman who became my wife.
I felt I could approach the story from both the male and female points
of view.
To my surprise, when I began to
pen the first chapters, I enjoyed writing the romantic sequences as
much or more than I did the action sequences. Something about reliving
the pleasant experiences of falling in love and holding the woman of
your desires in your arms and telling her how beautiful she was struck
a chord within me. I grew more and more enthusiastic about creating a
good work of Amish writing.
My
first effort was picked up by Barbour in 2010. In it, a young woman is
forced to return to her Amish roots in Pennsylvania to save two orphans
from a murderer. The only one who will help her is a young rancher who
refuses to carry a gun. When Barbour made a contract offer, it inspired
me to write a second piece of Amish fiction. This was completed in 2011
and picked up by Harvest House.
Whereas the first story took
place in 1875 United States, the second occurred in 1917, also set in
the United States. At the beginning of the twentieth century, the Amish
are challenged to adopt the technologies that will eventually define
them by their very absence from Amish communities: the telephone, the
motorcar, public electricity, and the airplane. It is while they are
still debating the role of the airplane that my story begins with a
young Amish man who wants to fly and the beautiful young Amish woman
who wants to fly by his side. This story, The Wings of
Morning, became the second work of Amish fiction from my hand
to receive a contract.
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Since
then I have written a
third Amish novel and have been contracted to write two more. I try to
tell the stories as beautifully, dramatically, and, yes, and
romantically as I can. I strive to make my characters real people, not
cardboard cutouts of Amish men and women from Pennsylvania or Indiana
or Ohio―not that anyone I know writes about the Amish that way, it’s
just that I was worried I might have to do so to make a sale to a
publisher. The publishers were looking for Amish romance all right, but
they were looking for good stories that were also well written, with
flesh-and-blood heroes and heroines that are attractive and inspiring.
Being able to write authentic and true-to-life Amish fiction turned out
to be far easier than I thought. In fact, it became enjoyable. It was
like describing one beautiful sunrise after another as my characters
found faith and love together in the midst of perilous and challenging
circumstances.
The romantic aspect has never
been an issue with me. I still love to court my wife, so it is easy to
put romance in the words of my heroes and heroines. I would give my
life for my wife and family, so it is not hard to put that same
attitude in the hearts of my heroes. In fact, it is not difficult to
imagine being the hero in my bride’s eyes, and doing the courageous and
Christ-like things that need to be done, so there are no obstacles to
putting all that in the good men of my Amish novels. Nor is it
problematic for me to write about the strength and depth and heart of
women when I admire so much the women of my world.
Although I write for a
predominately female audience, I also endeavor to write in such a way
that is not only attractive to the women of America but to the men of
their lives as well―sons, brothers, husbands, and fathers. I want to
create books a woman can read with pleasure and satisfaction, then turn
around and give my books to the men of her world and say: “You’ll like
this too. It’s a good read for men as well as women. Really. Give it a
try.”
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