Well,
I can’t start my column as I usually do. “Headhopping, head-hopping,
head hopping” isn’t in the dictionary, so no formal definition. I’ll
just give ya mine.
Head-hopping: An
annoying, aggravating, exasperating, drive-me-up-the-wall (wonder who
thought of that phrase) way to present characters’ points of view.
Changing the point of view of the characters mid-chapter, mid-scene,
mid-paragraph, or mid-sentence without warning.
Okay, so “mid-sentence” is
pushin’ it, but I can’t help it. Every time I haveta read a manuscript
with heinous head-hopping, I need to hop for my Xanax or my head will
explode. You’d think as a person with bipolar disorder, head-hopping
would be a natural. A great fit. I’m bipolar, not schizophrenic.
So, what choices are there when
it comes to point of view (POV)?
Most authors write in third
person. I like it. Sic, dudes. My fave. Lets the reader see the story
through the perspective of different characters, but not every other
sentence. Writers let us in on the switch with scene breaks, or by
starting a new chapter:
Mary
couldn’t believe her mother could be so cruel. What made Mary so
unlovable to the woman who bore her?
(Use a blank space or *** to
denote new scene because of a POV shift, new time, or new place)
Mary’s
mother couldn't believe her daughter could be so thoughtless. What made
her mother so unlovable, the girl insisted she read books fraught with
head-hopping?
Some authors write in first
person POV. Perfectly acceptable if it fits the story. It’s the “I” way
to write. It limits perspective to one character:
I
couldn’t believe my mother could be so cruel. What made me so unlovable
to the woman who bore me?
Some
authors write in omniscient POV. Ugh. All narrative. That’s headless,
meaning the scene isn’t written from any character’s POV; not from
inside anyone’s head (mayhap that makes the writer empty-headed? An
airhead? Sorry.):
The
mother was unbelievably cruel to her daughter. (. . . yada,
yada. I’m getting’ sick of both of them.)
But
unscrupulous head-hoppers
fool ya. You think you’re reading in third person POV, then something
strange happens. Next stop: The Twilight Zone.
You’re in a character’s POV or head, then realize you aren’t anymore,
but the writer didn’t warn ya (by adding a scene break). Bad writer!
Bad! This causes frustration and re-reading to try to figure out who’s
thinkin’ what:
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Mary
couldn’t believe her mother could be so cruel. What made Mary so
unlovable to the woman who bore her? Hadn’t she given her mother
everything? Even her used paperbacks?
If she had to read one more of those head-hopping novels, she’d lose
her mind. Maybe that was Mary’s intent.
Yeah,
so it works for some
authors (if you’re such an author, I’m sure you write so beautifully,
one simply doesn’t care whose head you’re hopping to), so someone must
like to read that style, or no one would sell those types of books.
Actually, I should get mad at the reader, not the writer. Listen,
people, if you’d stop buyin’ horrific head-hopping novels, no one would
be writin’ them!
Okay, so who am I to judge?
Well, it is my column. I can write what I wanna
write. (Oh, the power.) Those head-hopping pages make me wanna go
outside and grab my blowtorch (yes, I do have one) and put those
manuscripts with multiple personalities out of their misery. (Or mine,
depending.)
Listen, everything in this
business is subjective. But I’ll bet the odds weigh heavily that most
editors and agents don’t like head-hopping. So
writers-who-have-yet-to-sell-a-manuscript, take heed. Why chance losing
a deal because ya can’t keep your heads straight?
As for me, I’m imploring ya.
Don’t send me any more submissions featuring hopping heads. I have
enough trouble controlling my shifting mood swings already. Next stop:
Lithium. Now, you wouldn’t want me to lose my fun-loving, enthusiastic,
sarcastic, caustic personality and turn me into a Night of
the Living Dead zombie, would ya? (Those who don’t like me
need not answer that question.) Have a heart. Only one head at a time,
please. Well, time to head out. (Sorry.)
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