Summer
days are filled with sunshine and splashing, evenings with the sound of
cicadas and aroma of whatever we (or our neighbors) are grilling. For
three or four months out of the year, we cook and eat outside whenever
possible.
But when it comes to writing
fiction, grilling is always in season, and it’s
guaranteed to add flavor to your characters and sizzle to your plot.
You may have heard about
interviewing your characters before you write your story. I say grill
’em. Turn up the heat and make them sweat. The techniques I used as a
reporter have served me well in fiction writing, too. In addition to
getting characters’ basic bio information and physical description, dig
deeper by grilling your main characters with these questions. You may
be surprised by the flavorful blends their responses give you!
1. What do you
want
more than anything? What’s your goal?
The purpose:
Her goal is what she’s striving for throughout the book. Put it in
jeopardy through a variety of obstacles.
How to use it:
Make the character’s goal clear in the first chapter. Put characters’
goals at odds with each other.
For example, in my novel Wedded
to War, Charlotte Waverly’s goal of being a nurse for the
Union army conflicts with Phineas Hastings’s goal to keep her in New
York City and marry her. Charlotte is also at odds with her mother’s
goal to keep her safe.
2. What if you
didn’t
reach the goal?
The purpose:
This helps you know if her goal is big enough to carry a novel. If it’s
not a big deal for her goal to be unmet, she needs a bigger goal. The
stakes must be high—life or death, literally, or a professional,
emotional, or spiritual death.
How to use it:
Disappoint your characters by blocking their goals at least a few
times. Will she back down or try harder? Will his heart bleed or turn
to stone?
Watch how Phineas reacts to the
obstacle to his goal:
I
should never have let
her go. Phineas crumpled Charlotte’s latest letter and jammed
it into his pocket, nearly popping the stitches with the force. I
should never have let her out of this city, out of my sight.
The evening’s chorus of chirping crickets seemed to be laughing at him
incessantly. His breath came faster, his legs propelled him farther
down Twenty-first Street in a blind fury. He kept his head down so no
one would see his eyes under the brim of his black bowler.
He
had written to Charlotte
begging her to come home now that disaster had befallen so near to her.
He had been kind. Romantic, even. At least he had thought so. But firm.
And she had written back—but not for days—and said no.
She
said no to me.
She
had defied him, like her
mother had always defied his father. The thought made him sick.
Then we get into what’s really
bothering Phineas—the fear that he’ll either lose Charlotte before he
can marry her, or end up a hen-pecked cowardly husband like his father.
How far will Phineas go to keep that from happening?
3. What are
you really good at? What do people like about you?
The purpose:
Find her strengths. Readers will not like your character unless there
are things to like or love about her.
How to use it:
Use her strengths to set her up as a sympathetic character. But later
in the book, make her fail at what she thought she was good at. This
brings her to a dark moment, a crossroads, where she has to decide what
to do. A choice that previously seemed out of character for her would
now be believable.
4. What do
you hate about yourself?
The purpose:
Learn her flaws: a body part she isn’t satisfied with, or a single or
habitual sin. A follow-up question is: What’s your
biggest secret?
How to use it:
If she hates something about her appearance, it will color how she
carries herself, or the clothes she wears. Something deeper may cause
her shame, guilt, or an inability to form close relationships. Whatever
she hates about herself must come out in the open. Then what will
happen?
When we meet
Irish immigrant Ruby O’Flannery in Wedded to War,
we see immediately that she hates her posture deformed by needlework.
Later in the book, she hates something else—her new biggest secret—and
this drives the rest of her storyline. Here we see her weighing her
options:
Ruby
couldn’t sleep.
The
same mattress that had once
cradled her body in softness now felt like a bed of nails, the sheets
like weights pressing the air out of her lungs.
|
Like
a body. Hot and heavy.
Ruby
threw off the covers and
jumped out of bed, gasping for air. Her racing pulse sounded loudly in
her ears as she knelt down on the cool hardwood floor for the seventh
night in a row, unshed tears swelling thickly in her throat. Would she
ever be able to sleep in a bed again without being haunted by an
unforgiving memory?
.
. . Now, when each night’s
blackness rendered her blind on a bed again, her mind reeled her back
to the very moments she wanted most to forget. What have I
done to deserve that?
If
Matthew found out, he would
kill her.
If
Mrs. Hatch found out, she
would fire her.
If
the American Moral Reform
Society found out, they would turn their backs on her.
God
already knew, and could
never forgive her. He had turned His back on her already.
She
was on her own now more than
ever before.
5. What is
your life’s most dramatic event? How has it shaped you and your beliefs?
The purpose:
First, it gives you more backstory to understand her. Second, you’ll
see if her faith and beliefs are shaken by circumstances, or if trials
make her stronger.
How to use it:
You will understand her motivations as she navigates life. If you want
her to change how she responds to hardship, introduce another character
or event that will change her mind.
The most dramatic event for the
Waverly family was the death of Charlotte’s father. The memory of his
kindness to the patients in the hospital prompts her to apply to be a
nurse. The memory of his death from exposure to disease fuels
Caroline’s desire to keep Charlotte away from hospitals. One is
motivated by mercy and service, the other by self-preservation.
6. What is
your biggest fear?
The purpose:
Discover how to rock her world.
How to use it:
Your characters must face their biggest fears. How far will they go to
avoid what terrifies them? It depends on the intensity of their fear.
7. What is
your most treasured possession? Why?
The purpose:
This reveals what’s important to her, materially and nostalgically,
since most objects are made more valuable by the memories attached to
them.
How to use it:
If the object is small enough, use it in a mannerism. What happens if
this object is lost or stolen? Better yet, what would cause your
character to part with it?
In Wedded to War,
Phineas possesses his father’s gold pocket watch, which he holds
whenever he feels insecure. Readers know he’s feeling threatened when
he grips it.
To really grill your characters,
ask all the follow-up questions you can think of, and then some. But
these will certainly get you started.
Grill your characters and your
plot will go from flat and bland to spicy and robust. Conflicted and
well-drawn characters make a story sizzle.
|